HOME | The SCOTT RANCH | RENTALS | Biography JOHN SCOTT | PHOTO GALLERIES | MEDIA | LINKS | CONTACT USRENTAL / PROPS | SET DRESSING | ROLLING STOCK | WAGONS | BUGGIES | SLEDS | TACK | BUFFALO | LONGHORNSLOCATION / LAND | TOWN | INTERIORS | BUILDINGS | Copyright Information THE FILMMAN “Within 100 miles, you can make it look like five different states.” So said Clint Eastwood whendescribing Alberta’s multitude of filming locales. Indeed, capitalizing on the diversity of thelandscape of Alberta, has led John Scott MotionPicture Animal Productions, through a lifetimejourney of adventure in the movie industry. Scott’s first experience wrangling began in 1970 while he was on the rodeo circuit, and was asked to supply horses and do some stunt work in theproducton of Little Big Man, starring DustinHoffman. “Yes, it was quite a fun deal,” remembers Scott. “We didn’t realize after that picture that we wouldactually have an industry here in Alberta, and itdidn’t really happen until 1975, when five pictures(including Buffalo Bill & the Indians, with PaulNewman) were filmed here, and it looked like thebusiness was starting to come. That was a turning point.” Scott went to Hollywood and worked with thewrangleres and stuntmen there, gettting onto setsand seeing how the industry ticked - and invaluable experience when it came time for producers tocome to Alberta.THE PROMOTER With all its rich culture and landscape, Alberta is, unfortunately, the only province which doesn’t offera tax credit for American film producers, affectingthe amount spent in the province. “We are not on a level playing field with the rest of the provinces. It’s been a very had sell for the last 10 years,” Scottstates, comparing the industry dollars to B.C.which, for instance, enjoys over a billion dollar filmindustry revenue a year, while in Alberta, “we aretrying to consistently do around two hundred million dollars.” Scott says te industry has tried different models and a current “film fund” now in place, whichprovides partial funding for hiring Albertans on filmsis helping.THE HOST AND PRODUCER One of the many projects Scott has beeninvolved with, was one of his own making. Recovering from a broken hip incurred in a caraccident, gave Scott the time to vision out the planof his own television series, eventually called JohnScott’s World of Horses which he not only hosted,but produced as well. The White Iron production,was syndicated and proved to me an informativeand well documented set showcasing the manydisciplines and uses of horses also gave Scott theopportunity to honor the animal wranglers he hadcome to know over the years. “I had gotten to know chuckwagon drivers,rodeo cowboys and many Canadian champions. There were many stories to be told and this was achance to expose those individual stories.”THE COWBOY WITHIN Scott is the founder of the Alberta Chapter ofStunts Canada, an association of professional stuntco-ordinators and performers, formed in 1974Vancouver. Nanton rancher and veteran Stunts Canadamember Brent Woolsey is considered to be one ofthe busiest stuntmen in the business today andattributes his film career to Scott who gave him hisfirst job working in the movie industry. “I have learned what to do and what not to do bywatching him. The movie business is reallycompetitive these days and if you snooze, you lose. Maybe that’s why John does not sleep much.From left: Scott organizing a day of filming; buffalo wranglers and John near Drumheller; on the set of Into the West.“John is and always will be acornerstone in the Alberta moviebusiness. He has given anopportunity to an awful lot of people.- Brent Woolsey Still, keeping hisanimal actors and theAlberta movie industryworking is a greatincentive for Scott,who frequently fliesbetween Los Angeles and Vancouver securing the next picture deal forthe province. “If I can promote a Western up here, it is to myadvantage.” he explains. “It gets these horses and animals working - it’s to everybody’s advantage.” Scott’s experience with the film industry over the years has taught him that if a director is doing acontemporary film here, the next picutre he makesmay be a Western once he experiences Alberta. “If he come here and sees the country and what kindof potential we offer, it’s good for everyone in thebusiness.”“He’s a cowboy, you’ll get along well with John. He’s quick with a smile and he’s a class act who caresabout his livestock.- Hal WetherupA couple ofwranglers,John Scott and Brent Woolsey.Scott is often horsebackon the set.During filming of The Legend of Butch Cassidy and the Sundance Kid.Scott stunt driving on the set.During filming of The Legend of Butch Cassidy and the Sundance Kid.Gathering cattle in the fall.THE HORSESAs a horseman, Scott and his wranglershave learned to be as adept at handlinghorses, upt ot 800 at a time - as they wereasked to do in the filming of Heaven andEarth. Safety for the actors and horses area top priority for Scott while filming theselarge action scenes. He considers one of the moreexceptional horse acts he has worked withto be horse trainer and stuntman ClaudeChausse and his 10-year-old black QuarterHorse gelding, Mustang. When Chausseisn’t delighting audiences on the pro rodeocircuit, he occasionally finds work in moviessuch as the western comedy ShanghaiNoon, starring Jackie Chan. The ranch is home to often upwards of100 horses, most used in the movies. Though at one time breeding his own stock,Scott now purchases his horses privately,from sales and occasionally PMU Farms.Former World Champion chuckwagon driver,Tom Glass, also a Stunts Canada memberagrees with Woolsey. “John has done morethan anyone for the industry, he’s a goodwrangler, stunt co-ordinator, he’s alwayspromoting Alberta and he’s a good friend.” Glass’ first taste of working in films beganin 1972 wrangling with Scott in the moviePioneer Woman. He then went on to try hishand at stunt doubling for Kirk Douglas inDraw! Since then, Glass and his brother Reghave both been active in the film industry.From left: branding at the Scott ranch and filming Little House on the Prairie, also at the ranch.“When I was rodeoing for a living, he treated the cowboys like gold, healways offered a standing invitation to put you to work on the movieswhen you had some down-time. He’s a true cowboy in every sense of the word, preserving the western way of life and living it every day.- Robin BurwashFrom left: Jimmy Dodds, Darcy Sawley, Scott and Guy Poirer.Scott over the years he has known him, callinghim an “ambassador for the rodeo cowboy.” He considers Scott’s role in these trail drivescrucial. As the co-ordinator for the guestwranglers, Scott must supply the the horsesthat have to drive the 200 head CS buckingstring along the trails. As Burwash says,driving hroses is much different than drivingcattle. “With horses you have to lead them more orless, you have to be able to set the pace andhold them back. They may never break out ofan extended trot after the first day out,” heexplains. The 18 guest wranglers of this years six-daytrail drive, will be paying $15,000 each for theprivilege of participating on the historical ride,with the proceeds going to the CalgaryStampede Foundation, which has a focus ofYouth Programs. Sadly, the 2005 trail drivecould possibly be the last of its kind as thegrowth of the city has made it increasinglydifficult to navigate traffic enroute to thegrounds. The horses and wranglers will arrivein the city on a Sunday to avoid some of thattraffic. As commerically engaged as John ScottMotion Picture Animals is, Scott says theCalgary Stampede Parade, with its 350,000enroute attendance and some 35 miliontelevision viewers, is still one of the busiestdays of the year for him. He and his wranglerswill supply over 100 head of the 700 or sohorses stepping down this year’s parade route. Hal Wetherup, Calgary Stampede ParadeCommittee Chairman gives much credit toScott for the safety of the show. “John has been the Stampede Parade’sprincipal stock supplier as long as I canremember. Without a suitable supply ofparade-broke horses, accomplishing such afeat, while maintaining our incredible record forthe safety of our spectators and participants,would be virtually impossible,” he says, furtherexplaining that organization and matchinghorses to riders become super-critical skills atsuch a venue.shows itself throughhow well prepared hismounts are for suchenvironments. Manyof our ParadeMarshalls, as well asinternational ridinggroups hire hismounts for their use inthe Parade. The vastmajority of these -both experienced andnovice riders - meet up with their mounts only the morning beforethe parade begins. It is vital each horse arriveshealthy, well prepared for the parade route andsuitably saddled in reliable tack. John’scompany does that very well indeed,” continuesWetherup. A steadfast pride of his western roots maybe much of what drives John Scott, particularly,when it comes time to selling the cinematicpotential of Alberta’s landscape to filmproducers. His love of the traditional lifestyle ofthe cowboy on the range, may also be why thewords to this ol-time-poem, hit the right buttonsfor this cowboy.Hoppy, Gene & Me,We taught you how to shoot straight,And a cowboy never cries,That’s how it had to be,Just stories from the Silver Screen,Now most of them forgottenDouble feature SaturdaysWith Hoppy, Gene and Me.- Roy Rogers, Silver Screen Cowboys “A properly broke horse, in the traditionalsense, is sometimes insufficient for use in such alarge urban parade. With the thousands ofcheering people along the route, the marchingbands, strange sights and sounds, walking onasphalt between towering skyscrapers - all thatcan be a challenging situation for may horses. The training expertise of John and his staff www.northernhorsereview.com July 2005AFFILIATIONSBY TAMMY MEADOWSTheTHE FILMMANTHE HOST AND PRODUCERTHE COWBOY WITHINTHE PROMOTERTHE HORSESSTOCK SUPPLIERTHE HORSESSTOCK SUPPLIER Scott will be in the saddle and acting asclient co-ordinator for the Calgary Stampede2005 Trail Drive, in honor of Alberta’s 100thAnniversay. The 2005 Trail Drive donated aseat on the ride to STARS benefit auction whichbrough $26,000. He also rode with the 2000Millennium Trail Drive in which Stampede ranchhands and guest wranglers drove the renownedCalgary Stampede bucking horses 136 milesfrom the ranch near Hanna to the CalgaryStampede grounds. Scott is always impressed with the CScommittee’s ability to pull off such an event asthe trail drive. “Who else but the Calgary Stampede couldput on a trail drive like this! The organization,the camp fires, the meals - it is first class allt he way.” he says. Calgary Stampede Ranch Manager andArena Director, Robin Burwash, holds highpraise for THE STOCK SUPPLIERTHE FILMMANTHE HOST & PRODUCERTHE COWBOY WITHINTHE PROMOTERTHE HORSESSTOCK SUPPLIERTo Top of PageTHE FILMMANTHE HOST & PRODUCERTHE COWBOY WITHINTHE PROMOTERTHE HORSESSTOCK SUPPLIERTo Top of PageTHE FILMMANTHE HOST & PRODUCERTHE COWBOY WITHINTHE PROMOTERTHE HORSESSTOCK SUPPLIERTo Top of PageTHE FILMMANTHE HOST & PRODUCERTHE COWBOY WITHINTHE PROMOTERTHE HORSESSTOCK SUPPLIERTo Top of PageTHE FILMMANTHE HOST & PRODUCERTHE COWBOY WITHINTHE PROMOTERTHE HORSESSTOCK SUPPLIERTo Top of PageTHE FILMMANTHE HOST & PRODUCERTHE COWBOY WITHINTHE PROMOTERTHE HORSESSTOCK SUPPLIERTo Top of PageTHE FILMMANTHE HOST & PRODUCERTHE COWBOY WITHINTHE PROMOTERTHE HORSESSTOCK SUPPLIERTo Top of PageTHE FILMMANTHE HOST & PRODUCERTHE COWBOY WITHINTHE PROMOTERTHE HORSESSTOCK SUPPLIERTo Top of PageDOWNLOAD JOHN SCOTT 1 Page Resume.This is a partial resume. If you would like a complete resume dating back to 1970 please send a request to:johnscottproductions@gmail.com